The Dawn of Love is an oil painting by English artist William Etty, first exhibited in 1828. Loosely based on a passage from John Milton's 1634 Comus, it shows Venus leaning across to wake the sleeping Love by stroking his wings. It was very poorly received when first exhibited; the stylised Venus was thought unduly influenced by foreign artists such as Rubens as well as being overly voluptuous and unrealistically coloured, while the painting as a whole was considered tasteless and obscene. The Dawn of Love was omitted from the major 1849 retrospective exhibition of Etty's works, and its exhibition in Glasgow in 1899 drew complaints for its supposed obscenity. In 1889 it was bought by Merton Russell-Cotes, and has remained in the collection of the Russell-Cotes Art Gallery & Museum ever since.
Showing posts with label Comus (Milton). Show all posts
Showing posts with label Comus (Milton). Show all posts
Thursday, August 9, 2018
Wikipedia article of the day for August 8, 2018
The Dawn of Love is an oil painting by English artist William Etty, first exhibited in 1828. Loosely based on a passage from John Milton's 1634 Comus, it shows Venus leaning across to wake the sleeping Love by stroking his wings. It was very poorly received when first exhibited; the stylised Venus was thought unduly influenced by foreign artists such as Rubens as well as being overly voluptuous and unrealistically coloured, while the painting as a whole was considered tasteless and obscene. The Dawn of Love was omitted from the major 1849 retrospective exhibition of Etty's works, and its exhibition in Glasgow in 1899 drew complaints for its supposed obscenity. In 1889 it was bought by Merton Russell-Cotes, and has remained in the collection of the Russell-Cotes Art Gallery & Museum ever since.
Wednesday, August 8, 2018
Wikipedia article of the day for August 8, 2018
The Dawn of Love is an oil painting by English artist William Etty, first exhibited in 1828. Loosely based on a passage from John Milton's 1634 Comus, it shows Venus leaning across to wake the sleeping Love by stroking his wings. It was very poorly received when first exhibited; the stylised Venus was thought unduly influenced by foreign artists such as Rubens as well as being overly voluptuous and unrealistically coloured, while the painting as a whole was considered tasteless and obscene. The Dawn of Love was omitted from the major 1849 retrospective exhibition of Etty's works, and its exhibition in Glasgow in 1899 drew complaints for its supposed obscenity. In 1889 it was bought by Merton Russell-Cotes, and has remained in the collection of the Russell-Cotes Art Gallery & Museum ever since.
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